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Deadline June 30th: NOVEL Festival – Get FULL FEEDBACK. Get novel performed by professional actors
http://www.wildsound.ca/book_contest.html
Watch Recent Novel Transcript Readings:
Deadline June 30th: TV Screenplay Festival – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/tvscreenplaycontest.html
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https://wildsoundfestivalreview.com/feature-screenplay-submission-testimonials-wildsound-screenplay-contest-review
Multiple winners every single month! Watch recent and past winners:
TV PILOT Winners
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Deadline June 30th: Screenplay Festival – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/screenplaycontest.html
READ 100s of testimonials from past submitters –
https://wildsoundfestivalreview.com/feature-screenplay-submission-testimonials-wildsound-screenplay-contest-review
Multiple winners every single month! Watch recent and past winners:
All entries get their POEM shown on this website. AND, you can submit your Poem to be made into a video (guaranteed 1000s of view).
GET YOUR POETRY SEEN. This network averages over 95,000 visitors a day to read your poems. SUBMIT ANYTIME
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1. Write a POEM. Send it to this contest for FREE and it will be POSTED on this site guaranteed for 100,000s to see. (you own all rights to this poem and whenever you want it taken down, send us an email).
2. Email your POEM to submission@festivalforpoetry.com in .pdf, .doc, .wpd, .rtf, or .fdr format or just cut and paste it into the body of the email.
3. SUBMIT as many poems as you like. (NOTE: One FREE poem per person. If you like to submit multiple poems, please let us know and we’ll give you price quote.)
4. Let us know…
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Written by: Andy Estrada
Type: Short Screenplay
Genre: Thriller, Crime
Logline: The story of five kids. The up’s and down’s living in the lower-class, hispanic community. And the birth of a ruthless criminal organization.
Interested in this logline, please email us at info@wildsound.ca and we’ll forward your email to the writer.
Have a logline? Submit your logline to the monthly logline contest.
Written by: Valerio Carta
Type: TV PILOT
Genre: Sci-Fi, Thriller, Drama
Logline: In a future in which the death dates of every human being are archived in a government database, a researcher must discover why one billion people, included him, will die on the same day, a month later.
Interested in this logline, please email us at info@wildsound.ca and we’ll forward your email to the writer.
Have a logline? Submit your logline to the monthly logline contest.
Written by: Mickey Blumental
Type: Feature Film
Genre: Horror, Thriller
Logline: A new zombie infection affects only males, forming a new zombie brain around their groins. Cue women running around shooting guys in the balls.
Interested in this logline, please email us at info@wildsound.ca and we’ll forward your email to the writer.
Have a logline? Submit your logline to the monthly logline contest.
Written by: Deen Gill
Type: Feature Film
Genre: Action, Crime, Thriller
Logline: Detroit must try and stop a sociopathic villain, created by an industrial accident, who callously destroys everyone in his path. He lays waste to the police, SWAT teams and Michigan National Guard. There are no superheroes or millionaire industrialists to help, as everyone wonders if the city will survive.
Interested in this logline, please email us at info@wildsound.ca and we’ll forward your email to the writer.
Have a logline? Submit your logline to the festival for FREE Today.
The crew gets their first face-to-face look at the massive shark.
FILM DESCRIPTION:
Based on Peter Benchley’s best-selling novel, Steven Spielberg’s 1975 shark saga set the standard for the New Hollywood popcorn blockbuster while frightening millions of moviegoers out of the water. One early summer night on fictional Atlantic resort Amity Island, Chrissie decides to take a moonlight skinny dip while her friends party on the beach. Yanked suddenly below the ocean surface, she never returns. When pieces of her wash ashore, Police Chief Brody (Roy Scheider) suspects the worst, but Mayor Vaughn (Murray Hamilton), mindful of the lucrative tourist trade and the approaching July 4th holiday, refuses to put the island on a business-killing shark alert. After the shark dines on a few more victims, the Mayor orders the local fishermen to catch the culprit. Satisfied with the shark they find, the greedy Mayor reopens the beaches, despite the warning from visiting ichthyologist Hooper (Richard Dreyfuss) that the attacks were probably caused by a far more formidable Great White. One more fatality later, Brody and Hooper join forces with flinty old salt Quint (Robert Shaw), the only local fisherman willing to take on a Great White–especially since the price is right. The three ride off on Quint’s boat “The Orca,” soon coming face to teeth with the enemy.
CREDITS:
TM & © Universal (1975)
Cast: Richard Dreyfuss, Roy Scheider, Robert Shaw
Director: Steven Spielberg
Producers: Richard D. Zanuck, David Brown
Screenwriters: Peter Benchley, Carl Gottlieb
100% of critics LOVE this film and say it’s a must see film.
Paulina, the daughter of an eminent left-wing judge, suspends her legal education and the prospects of a promising political career to travel to an indigenous community of extreme poverty on Argentina’s border with Paraguay and Brazil. She is determined to nurture ‘from the inside’ a project of civil rights education, but her Guarani-speaking high-school students resist her civics lessons – and she quickly learns that gaining their trust won’t be an easy task.These subtly illuminating encounters reverberate in the aftermath of the central event of the film – a harrowing sexual assault by a group of young men. Paulina’s unfathomable actions, and the limits of social justice, are examined unflinchingly in this ‘social thriller’ of will and sacrifice.
Worth seeing, even if its basic plot repeatedly stalls. It is a thoughtful movie, but not necessarily a fulfilling one.
As stinging as a slap in the face, “Paulina” feels as if it’s waking you from a stupor, then shaking you, demanding that you ask yourself some impossible questions about idealism and justice.
A fierce performance from Dolores Fonzi, as a heroine whose actions baffle those around her, helps to hold this conversation-starter together, but viewers’ own mileage and perceptions will vary — which is clearly by design.
Driven by a powerfully internalized performance from Dolores Fonzi as the title character, Paulina eschews straightforward answers in favor of questioning observation.
It’s unsettling and disconcerting in its complex examination of the gray area that lies between the morals we conceptually hold and the actions we’re willing to perform to affirm those beliefs in the world.
Fonzi’s performance is perfectly judged; she knows when to hold back, convincing us of her character’s sanity, and yet we never lose sight of her strength, of her power.