Thriller Logline of the Day: UNTHINKABLE TARGETS, by Francisco Ramos

PITCH:

ACTORTitle: UNTHINKABLE TARGETS

Written by: Francisco Ramos

Type: Feature Film

Genre: Thriller, Crime

Logline: After losing their only daughter in a horrific elementary school mass shooting, a tormented family executes members of Congress until gun laws are changed.?

Interested in this logline, please email us at info@wildsound.ca and we’ll forward your email to the writer.

Have a logline? Submit your logline to the monthly logline contest.

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2017 – Read the best of THRILLER/SUSPENSE Feature Film Loglines and Movie Pitches

Submit your Thriller/Suspense Screenplay to the Festival: https://thrillersuspensefestival.com/

CLICK the links and read the best of Thriller Loglines:

FOUR IN THE DOOR, by Alan Barkley & Linda Barkley


COSIMA, by George Pacich and Keith Sexton


THE PHARAOH AND THE THIEF, by Dimitri Devyvatkin


HEIDI, by Keith Makenas


THE DRIVER, by Kuhle Sikota


PRIVATE BUREAU, by Mica


THE ALIBI, by Wendy Appelbaum


THE OLD NATION, by Josh Richards


A WINTER TOUR, by Alex Southey


A GIRL WITH A MASTERMIND, by Priya Mistry


KING OF ROCK, by Anthony Morris


http://www.wildsoundfestival.com/a_wink_of_the_black_eye_by_mark_wagner.html
THREE THE MOVIE, by Elisabetta Minen


RANSOM HOLLOW, by Jeffrey Slocum


BURN THROUGH ME, by Shawn McCormack


THE BOARDER, by Blair Gibson


FEEDBACK, by Stuart Haag


BROOKDALE HAUNTINGS, by Rebecca Paniagua

A SEASON OF STRAWBERRIES, by Judy Bednarek

SIN, by April de Nyse

PATRIOTE PERIL, by Thomas Thorpe

FOX HUNT, by Robert McElherson

SOMEBODY’S KNOCKING, by Sherril M. Kinney

THE ORDER, by Ben Jacob

ALREADY IN, by Vince Jeffers

UNPARALLELED, by Liam McCann

10000 MISSISSIPPI, by Adelehin Ijasan

THE FULL MOON, by Lee Aurora


THE GOLDEN NIGHTINGALE, by Hammoudi Abdelouahab


QUEEN OF THE HIMALAYAS, by Purna Bahadur Rai Nachhring


ROLL THE DICE, by Lynn Winiarczyk


BEHIND 13, by Rebecca A. Raymer


ASCENT FUSION, by Ruslan Tlif


TWO FINS ON A FISH, by Kent Flaagan


SALVAGE AND RECOVERY THE HEIST, by Lynn Winiarczy


THE CANCUN INCIDENT, by Lynn Winiarczyk


DREXLER, by Carlton L. Winston


FOXHUNT, by Emily Schooley


IN 10 DAYS, by Kevin Goodson


OMINOUS, by Kyle Stuck


FAIR DEALING, by Pinakee Sher


SEASIDE, by George Pacich


LIGHTLESS, by Dhruv Kanungo


INTO THE SMOKE, by Robert O’Sullivan


BEDLAM ON THE RAILS, by Wayne Johnson


FIEND, by Andrew Samuelsen


BED OF LIES, by Lani Aisida


PRIVATE DUDDELS, by Thobias Dhaeyere


MODERN PERSECUTION, by Jennifer Cole


THE DELIVERY, by Jayson Amoroso


DEVIL’S ISLAND, by Matthew Riehl


AXPLAR, by Jelena Janjic


CLARION, by PR Mitchell


THORNE, by Sean Williams


OPPRESSED, by Jeff Thompson


ROBOTOPIA, by Chad Bowman


SET FOR LIFE, by Jason Rist


LACUNA, by Steve Walters


A BOY AND HIS SOLDIER, by Spencer Guerrero


BLOODSPITE, by Fleurette M. Van Gulden


SURVIVING DESTINY, by Doris Lee


LUMP SUM, by Messan Amlon


PRESUMPTION OF GUILT, by Alisha Williams


THE LITTLE GIRL, by Heidi Thatcher-Nalley

Winning THRILLER Feature Screenplay – NEMESIS, by Carl Joglar

Winning Screenplay – NEMESIS
Written by Carl Joglar

CAST LIST:

NARRATOR – Val Cole
STROUD – Cassandra Guthrie
BURNHAM – Dan Cristofori
MONTERO – Jane Hailes

SYNOPSIS:

Genre: Thriller, Crime, Action

A car wreck allows a fugitive recovery agent’s prisoner to escape into the woods where she’s forced to pursue the killer, but when the other driver finds her in the wilderness, the hunt becomes complicated and the agent begins to suspect the woman’s involvement was not by chance.

 Get to know the writer:

What is your screenplay about?

NEMESIS is about a fugitive recovery agent who, after being disgraced and fired from the U.S. Marshals, attempts to cover legal fees in a custody battle for her son by cashing in on the capture of an elusive killer. Unfortunately, she gets into a car wreck, her prisoner escapes into a vast wilderness and she’s forced to hunt him down again. But (without giving too much away), when the driver of the other vehicle finds her in the woods, the situation becomes increasingly complicated because of some hidden agendas.

What genres does your screenplay fall under?

I’d say it could fall under drama, thriller and action because there are elements of all three, but if I had to categorize it, I would call it a dramatic thriller.

Why should this screenplay be made into a movie?

Just thinking about this, it occurs to me that no answer could sound very humble. I do feel very strongly about its merits, but even moreso after I started receiving so much positive feedback. People would say, “Wow, this is insane”, which I take as a compliment because you want to shake people up. I think the fact that three characters that are so different from each other are basically trapped in this environment together makes for a really curious situation. I feel like people might say, “I’ve got to see what happens when you put THESE three together.” But more than that, the main character’s journey is heart-breaking and relatable. I tried to make the ultimate example out of her. The moral of the story is “Don’t let your situation change who you are”. And who hasn’t been tempted at least once to step over that line?

How would you describe this script in two words?

“Intense” and “fast-paced”. As a writer, I have an unhealthy yet productive fear of being boring, so in a story, I’m obsessed with something either always happening or about to happen.

What movie have you seen the most times in your life?

Jaws. It’s so amazing on so many levels. Story, acting, editing, etc. But Neil Simon’s The Goodbye Girl is a close second. That main character is the most charmingly hilarious train wreck I’ve ever seen. Great stuff.

How long have you been working on this screenplay?

I’ve worked longer on this script than I have on my marriage. I’m kidding. I actually wrote the first draft in less than a month, but of course, I’ve been making changes ever since, so it’s going on six months now and one draft kind of melds into the next, so who knows how many.

How many stories have you written?

I’ve been doing this since 1996 so I’ve lost count. If I included short scripts and commissioned scripts, the number would be ridiculous, but as far as strictly original speculative full-length screenplays.. probably 24 that I can remember. Oh! And a book. I wrote a contemporary sci-fi YA novel called THE PERILS OF QUAD. Right now I’m trying to find a home for it at a traditional publishing house.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Wow, that’s tough. I don’t know if this is good or bad, but ever since I was little, there’s been something about Earth, Wind and Fire’s “Fantasy”. I love it to this day and I really have no clue why. Maybe it was playing in the background the first time a girl kissed me or something. ..Right now, though, I’m addicted to Disturbed’s cover of Simon & Garfunkel’s The Sound of Silence.

What obstacles did you face to finish this screenplay?

Writers are going to hate me for this: There were no obstacles. There never are. I’ve never had writer’s block. If I did, I never realized it. I mean, I always get nervous when I start but once I’m off and running, that’s it. The pages start to pile up. Obviously, they don’t come out perfectly but they always come out.

Apart from writing, what else are you passionate about?

My wife and child, of course. They’re my world. But the weird answer to that would be Vintage Marvel comic books. I’m not a collector, by any means. I just love the look, the feel, the simplicity, even the smell of a dog-eared silver age Marvel Comic. I guess because it brings me back to the days when my biggest problem in the world was deciding between Apple Jacks and Fruit Loops. Man, if life could always be like that. Good times.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I have to credit my best friend and producer, Alex Torres for that. He found out about the festival and immediately entered the screenplay. He’s the best. When I first read the feedback I received, I was pleasantly shocked because it was immediately apparent that this was a festival run by experienced and competent professionals and they clearly took the proper time to analyze the material. As a writer, you really deeply appreciate when people like this give you credit where it’s due, but also make a fair and efficient effort to help you develop the best story you can put forward.

 

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson

TV CONTESTSUBMIT your Short Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
SCREENPLAY CONTESTSUBMIT your Short Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
SCREENPLAY CONTESTFIRST SCENE (first 10pgs) SCREENPLAY CONTEST
Submit the first stages of your film and get full feedback!

February 2017 THRILLER Stories, Screenplays, and Short Films

Submit your Thriller/Suspense Screenplay to the Festival: https://thrillersuspensefestival.com/

ACTORSHORT STORY – POST MORTEM REBELLION
February 2017 Reading
Written by Jax Lemon

ACTORBEST SCENE Screenplay – OBEDIENCE
February 2017 Reading
Written by Michael Potts
ACTORBEST SCENE Screenplay – HYPOTHERMIA
February 2017 Reading
Written by Jax Lemon

ACTORBEST SCENE Screenplay – HEIDI
February 2017 Reading
Written by Keith Makenas
ACTORBEST SCENE Screenplay – BEDLAM ON THE RAILS
February 2017 Reading
Written by Wayne E. Johnson

ACTORSHORT Screenplay – LATE NIGHT
February 2017 Reading
Written by Deepa Dharmaraj
ACTOR1st SCENE Screenplay – EKKO
February 2017 Reading
Written by Johnny Walker

ACTORFAN FICTION Screenplay – POPEYE “SPINACH RUN”
February 2017 Reading
Written by Neil Chase
ACTORTV PILOT Screenplay – ECHOES OF BONNIEVILLE
February 2017 Reading
Written by Simon Schneider


festival posterMIDNIGHT SIGNS, 4min, Italy, Thriller/Animation
WATCH Audience FEEDBACK


festival posterTHE TRAITOR, 5min, Czech Republic, Action/Thriller
WATCH Audience FEEDBACK


festival posterMARAUDER, 13min, Canada, Action/Fantasy
WATCH Audience FEEDBACK


festival posterTRUE COPY, 11min, Russia, Thriller/Sci-Fi
WATCH Audience FEEDBACK


festival posterLAST BASE, 15min, Norway, Action/Thriller
WATCH Audience FEEDBACK


festival posterAPPRAISAL, 8min, UK, Thriller
WATCH Audience FEEDBACK


festival posterWEEKEND OF HEROES, 15min, Italy, Action/Crime
WATCH Audience FEEDBACK

 

 

****

Director/Producer: Matthew Toffolo
Casting Director: Sean Ballantyne
Editor: John Johnson

writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
Get full feedback! Winners get their novel made into a video!
SCREENPLAY CONTESTSUBMIT your FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
TV CONTESTSUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.
FILM CONTESTSUBMIT your SHORT Film
Get it showcased at the FEEDBACK Festival

RSVP – Best of Female Directors Fest. Thur. April 6th. Regal L.A. LIVE. 7pm

FEEDBACK Female Film Festival

The FEEDBACK Monthly Film Festival coming to Los Angeles.. Our LA home is Regal L.A. LIVE Cinemas, located in the heart of downtown Los Angeles (beside the Staples Center) at 1000 W Olympic Blvd.. The event runs from 7pm to 9:10pm.

Showcasing the best of short films from the United States, while maintaining our audience feedback format moderated by Matthew Toffolo.

Tickets for are FREE or PAY WHAT YOU LIKE. Reserve your tickets online. Donate via Paypal or Credit Card. Tickets are first come first serve.

All proceeds to month’s festival will be donated to festival cinema costs (suggestion $8 and up), which helps the monthly event:


OR, if you like to obtain seats in advance and pick them up on the day of the event (come for FREE, or make a donation), please email us at latickets@wildsoundfestival.com and we’ll reserve seats for you.

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1st Scene Screenplay – FAN SITE, by Elisha Barnes

First Scene Screenplay Festival

Best Scene from the screenplay FAN SITE Screenplay
Written by Elisha Barnes

CAST LIST:

NARRATOR – Sean Ballantyne
ASHLEIGH – Petra O’Toole
DANNI – Rachel Salsberg
JOAN – Georgia Grant
MAN – Craig Estrella

SYNOPSIS:

Genre: Comedy, Romance, Drama

Sexy lesbian Danni Montgomery lives in abstinence with her ex – an ex who still carries a torch. Meanwhile Danni is eyeing up a bisexual movie star and attempts to woo her by bulding her the hottest fan site on the web. After a series of successes and miscues, my story ends with an unlikely ending.


Get to know the winning writer:

1. What is your screenplay about?

Sexy lesbian Danni Montgomery lives in abstinence with her ex – an ex who still carries a torch. Meanwhile Danni is eyeing up a bisexual movie star and attempts to woo her by bulding her the hottest fan site on the web. After…

View original post 406 more words

Winning 1st Scene Screenplay – OCD by Quyen Tran

First Scene Screenplay Festival

Watch the January 2017 Winning 1st Scene Screenplay.

Best Scene from the screenplay OCD Screenplay
Written by Quyen Tran

CAST LIST:

NARRATOR – Julie Sheppard
VIKTOR – Hugh Ritchie
DR. NAVID – Robert Notman
GWEN – Olivia Jon

SYNOPSIS:

Genre: Drama, Romance

Two university lovers have an intense argument.

Get to know the writer:

What is your screenplay about?

OCD (working title) is about a young woman who begins to have dark obsessions after an HIV scare.

What genres does your screenplay fall under?

Drama, Dark-Comedy

Why should this screenplay be made into a movie?

The script is currently 231 pages so it could be either a TV mini-series or film series. OCD should be made because it’s
an untold story relevant to the Millennial age.

How would you describe this script in two words?

“Digital Loneliness”

What movie have you seen the most times in your life?

It’s a…

View original post 328 more words