Though I have worked on various short films at college and university, I was aware that making an ambitious short, such as Hideous, would be a considerable jump. Despite the films relatively modest setting of a flower shop, there were still inevitable complications in finding legal areas of Glasgow to film in, undertaking the correct legal procedures to safely film with firearms, managing large groups of extras and even securing the perfect florist that would, not only meet the criteria aesthetically, but also shelter a cast and crew of over ten people. Everyone is praying that you’ll be able to manage it all without having a mental breakdown, including yourself. It’s funny how you want your film to be this completely mind blowing experience for audiences, and on set it becomes that, but for all the wrong reasons. You learn very quickly that you have to get your shot in the can and move on to the next one and that there is no time to linger on perfectionist details. You just pray that it won’t turn out garbage and sometimes you’re pleasantly surprised. I had a completely exhilarating experience on this project and with each film I remember why I love the medium so much.
When cheerful flower shop employee, Marla, awkwardly comes into contact with a mysterious man dressed all in black, she learns that her husband, Pete, was savagely murdered earlier that day. He then gives her an opportunity to take revenge. But will she accept?
“⭐⭐⭐⭐ review of Hideous “
UK Film Review
“3.5/4 review of Hideous”
Diamond in the Rough Films
“⭐⭐⭐⭐ review of Hideous”
Indie Shorts Magazine
“⭐⭐⭐⭐ Review of Hideous”
In this dark comedy we follow a young woman who has secluded herself in her palatial estate from any human interaction. When she hires a handyman in the hopes of relieving her lack of companion ship, she finds herself overwhelmed with attachment to this man which quickly snowballs when he attempts to leave the estate.
“Paola Bernardini, the Film Director from Barletta takes on New York”
In Mexico, where only one in every 100 crimes ends in a conviction, a group of men decide to wait no more and take justice on their own hands. Soon they discover that they’ve killed the wrong man, that two police detectives seem to be on their track and that a gang of real criminals want to make them pay for their mistake.
Roderick Usher is a struggling portrait painter in 1880s Providence, Rhode Island. After meeting the beautiful Ligeia, a poet, muse and force of nature in her own right, Usher learns of a deadly technique that enables him to produce “life-like” portraits. After falling in love with Ligeia he is commissioned to paint her portrait. Usher is faced with an awful choice. Is he willing to kill the one he loves in order to gain artistic immortality? But Ligeia may be carrying an even darker secret.
Narrator: Elizabeth Rose Morriss
Abigail: Jennifer Misiorowski
Usher: Sheldon Graham
Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com
Festival Moderators: Matthew Toffolo, Rachel Elder
Casting Director: Sean Ballantyne
Editors: Kimberly Villarruel, Ryan Haines, John Johnson
Festival Directors: Rachel Elder, Natasha Levy
Camera Operators: Ryan Haines, Temitope Akinterinwa, Efren Zapata, Zack Arch
What if someone commits a horrible crime and afterwards gets promoted to a powerful position within de Department of Defense where he is legally untouchable? In a desperate attempt, a young soldier forces a high ranking officer into a confrontation by hijacking a bar. The young soldier gives him a choice between two options: confessing or paying the ultimate price.
Project Title (Original Language):Bloedbrand
Genres:Noir, neo noir, thriller, suspense
Runtime:6 minutes 55 seconds
Completion Date:August 10, 2018
Production Budget:5,000 EUR
Country of Origin:Netherlands
Country of Filming:Netherlands
Shooting Format:Digital, Arri Alexa XT