THRILLER Best Scene Reading of The Playlists by Michael Kotsiros

 

A married couple are separately lured to a remote location by a gifted but troubled composer, who uses music to reveal his hidden agenda.

CAST LIST:

Rachel – Katelyn Varadi
Archibald – Geoff Mays
Narration – Norma Dawn Dunphy
Clara – Katelyn Varadi
Lewis – Omar Aufi
Reggie – Sean Ballantyne

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: Kimberly Villarruel

Camera Op: Mary Cox

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THRILLER Best Scene Screenplay – DWELLERS OF SUNSHINE GARDENS

Fly – Omar Aufi
Narration – Norma Dawn Dunphy
Freshman – Sean Ballantyne
Socrates – Shawn Devlin

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: Kimberly Villarruel

Camera Op: Mary Cox

Thriller/Suspense Festival – August 18 2018

Ron Riekki (FOR GOOD BEHAVIOR)

It seemed like a cool festival. And it is. Thank you for selecting my play. As far as feedback for the play, I didn’t know how to incorporate more backstory, so I left it as is so that I could hear it read. Kelly, in particular, did a great job of letting me hear the voice out loud, but everyone with your festival is great. Thank you to the cast and crew. Thank you very much.
A FilmFreeway preferred festival:

Genre: Thriller, Drama

A lawyer has an award-winning actress come into a prison to teach his client how to cry on the stand.

CAST LIST:

Lawyer: Shawn Devlin
Narrator: Elizabeth Rose Morriss
Leeann: Kelly Seo
Teej: Abbas Wahab

JUNE 2018 THRILLER Stories, Screenplays, and Short Film

A FilmFreeway preferred festival:

 

 

 

festival posterBURIED, 14min., UK, Thriller/War

festival posterBEAST, 20min., Australia, Thriller/Film Noir

festival posterTHE LETTERS, 18min., UK, Thriller/Drama

festival posterSTALKER, 7min., Czech. Republic, Horror/Thriller

festival posterGORGE, 3min., USA, Horror

festival posterABOVE THE MIST, 8min, Canada/South Korea, Horror

festival posterTHE DOLLMAKER, 10min, USA, Horror/Fantasy

festival posterADDICT, 15min, Israel, Horror/Comedy

festival posterIT BEGAN WITHOUT WARNING, 6min., USA, Horror

ACTORTHE WRONG TICKET – TV CRIME Screenplay
June 2018 Reading
by John Ravitz

ACTORTHE LAST DREAM WARRIOR – Fan Fiction Screenplay
June 2018 Reading
by Mike Meade

ACTORGOD OF INSECTS – HORROR Short Screenplay
June 2018 Reading
by James R. Cowley

ACTORME & CINDERELLA – HORROR Short Screenplay
June 2018 Reading
by Jason Boaden

ACTORABANDON ALL HOPE – THRILLER Short Screenplay
June 2018 Reading
by Max Federman

ACTORTHE PLAYLISTS – THRILLER Best Scene Screenplay
June 2018 Reading
by Michael Kotsiros

ACTORTOUCH – Best Scene Screenplay
June 2018 Reading
by Scott Timmins

ACTORTHE ART OF DECEPTION – Novel Transcript
June 2018 Reading
by Alexander Jayson

 

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Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Festival Moderators: Kierston Drier, Shepsut Wilson
Casting Director: Sean Ballantyne
Editor: Kimberly Villarruel

Festival Directors: Mary Cox, Rachel Elder, Natasha Levy

Camera Operators: John Johnson, Isabal Cupryn, Aser Santos Jr., Zack Arch

THRILLER Festival Testimonial – June 24, 2018

The festival’s topic fit the bill and I received very thorough, professional feedback.

Script FOUR IN THE DOOR by Alan Barkley and Linda Barkley

Watch the Screenplay Reading: 

Winning Screenplay – FOUR IN THE DOOR
Written by Alan Barkley and Linda BarkleyCAST LIST:

NARRATOR – Julian Ford
KAREN – Amanda Quach
FRAN – Kayla Lakhani

THRILLER Best Scene Screenplay – BACK FROM THE DEAD, by Jonah Jones

 

Genre: Thriller, Horror

A man walks through the fire.

CAST LIST:

Colonel: Neil Bennett
Narrator: Peter Nelson
Witch: Emily Weir
Desborough: Regan Brown

Get to know the writer:

 What is your screenplay about?

A 300-year-old curse laid upon one family by another which could be resolved at any time but not during the time-space of this film.

2. What genres does your screenplay fall under?

Fantasy, thriller and horror. By modern standards the horror element would be considered very mild.

3. Why should this screenplay be made into a movie?

It is based on a concept which I can’t recall seeing in a movie before; the Schrodinger’s Cat thought experiment, whereby a character in the story is both alive and dead, depending upon who is trying to find him.

4. How would you describe this script in two words?

Vengeance loop.

5. What movie have you seen the most times in your life?

It varies in my recollection between Ben Hur (the Charlton Heston one) and North by North-west. Recently I’ve been interested in films that hide the fact that the British had broken the enigma code, so I’ve watched Malta Story and Sink the Bismark a couple of times. I’d love to know if the scriptwriters were aware of the breaking of the code or not. In Sink the Bismark, Kenneth Moore’s character out-thinks the German Admiral, whereas in fact, the British had listened in on the German radio-traffic.

6. How long have you been working on this screenplay?

It was an off-and-on project mixed up with others. Probably six months.

7. How many stories have you written?

I really can’t recall. I write short films and short stories as well as feature-length scripts. Currently I have four short stories and three film scripts on the go. I started writing a long time ago – don’t ask – and I’ve tried to stick with the regime of writing at least one idea down every day. Some of those ideas turn into stories. On a quick scan of my computer files – 60 short stories, 10 short plays, 5 short films, 6 feature films, 12 full-length plays, 6 radio plays, 5 novels – though I’ve been told to stop doing that. Writing novels, that is.

8. What is your favorite song? (Or, what song have you listened to the
most times in your life?)

I work with music playing in the background, so I listen to songs all the time. Some songs stick – Strawberry Fields by the Beatles, My Friend the Sun by Family. Often a piece of driving guitar will do it for me, rather than the song itself.

9. What obstacles did you face to finish this screenplay?

Trying to avoid the clichés that creep in when you’re writing this kind of plot. I watched a fair few Hammer Horror films from the Sixties and Seventies to make sure I wasn’t re-telling an old story. There’s an element of homage to those films in the screenplay but hopefully I’ve come up with something new.

10. Apart from writing, what else are you passionate about?

Music – I play guitar. Art – I’m a cartoonist. Wild-life – I’m a recorder for my part of Wales (UK). I’ve recently started directing (three short films) and so far, I’m loving it.

11. You entered your screenplay via FilmFreeway. What has been your
experiences working with the submission platform site?

They are friendly. efficient and take a lot of tedious repetition out of my hands. I’m currently hawking one of our films “The Caterer’s Reckoning” (which I wrote and directed) around the film festivals. I use FilmFreeway to do that too.

12. What influenced you to enter the festival? What were your feelings
on the initial feedback you received?

Seeing your words spoken by actors changes your understanding of what you’ve written, so I’ll use any chance I can get. This won’t be the first time I’ve put my work forward to WildSound and it won’t be the last. The atmosphere and attitude of the team there has always made me feel I’m amongst like minds. That’s not something I’ve experienced in some other situations.

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

THRILLER 1st Scene Script – FORTY WINKS, by Mitch Moldofsky

Genre: Thriller, Mystery

A near-future dream expert with dream-reading technology, known professionally for her stance that “dreams mean nothing”, freaks when her husband’s dreams reveal an affair and a murder–hers.

CAST LIST:

Judge: Charles Gordon
Jazz Singer: Carina Cojeen
Narrator: Ida Jagaric
Pros. Attorney: Rob Notman
Greg: Sean C. Dwyer
Det. Morgan: Jarod Terrell
Carol: Kerrie Lamb

Get to know the writer: 

 1. What is your screenplay about?

Forty winks is about the struggle between knowledge and fear, belief and self-doubt. The main character is a scientist, supposedly unemotionally committed to conclusions drawn from years of research, her life’s work. But when this commitment comes into conflict with her beliefs about herself, her marriage and by extension her sense of self worth, it falters, because of a deep and very human insecurity, the possibility or “what if” that she is wrong, that she is unworthy, that she is unloved.

2. What genres does your screenplay fall under?

It’s an erotic thriller and a mystery-drama, but the tension beneath the surface is often superseded by the comedy of life.

3. Why should this screenplay be made into a movie?

It’s exciting and really intriguing with the angle of looking into dreams, the realistic nature of their representation (random, mundane, absurd, frightening), the macabre turn they take in terms of adultery and murder, and the whodunit guessing game between multiple characters.

4. How would you describe this script in two words?

Waking Nightmare

5. What movie have you seen the most times in your life?

Sunset Boulevard

6. How long have you been working on this screenplay?

A year

7. How many stories have you written?

Dozens

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

You Send Me

9. What obstacles did you face to finish this screenplay?
Getting the third act right

10. Apart from writing, what else are you passionate about?

Women’s rights

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

Fine

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I like readings. I thought the reader misunderstood my intentions a little.

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Producer: Matthew Toffolo – http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: John Johnson

Camera Op: Mary Cox