Though I have worked on various short films at college and university, I was aware that making an ambitious short, such as Hideous, would be a considerable jump. Despite the films relatively modest setting of a flower shop, there were still inevitable complications in finding legal areas of Glasgow to film in, undertaking the correct legal procedures to safely film with firearms, managing large groups of extras and even securing the perfect florist that would, not only meet the criteria aesthetically, but also shelter a cast and crew of over ten people. Everyone is praying that you’ll be able to manage it all without having a mental breakdown, including yourself. It’s funny how you want your film to be this completely mind blowing experience for audiences, and on set it becomes that, but for all the wrong reasons. You learn very quickly that you have to get your shot in the can and move on to the next one and that there is no time to linger on perfectionist details. You just pray that it won’t turn out garbage and sometimes you’re pleasantly surprised. I had a completely exhilarating experience on this project and with each film I remember why I love the medium so much.