Screenplay Movie: THE PLAYLISTS, by Michael Kotsiros

The scene occurs at a remote cottage in the woods; about an hours drive from Los Angeles. The main character is outside the property having a psychotic episode before running inside and telling his captors that he will release them.

Visual Design by Kimberly Villarruel

Produced by Matthew Toffolo

Narrator: Danielle Nicole
Clara: Val Cole
Archibald: Sean Tabares
Lewis: Geoff Mays
Reggie: Matt Barnes
Joel: Steve Rizzo
Rachel: Esther Thibault

THRILLER Best Scene Reading of Lies, Hamburgers, and Cufflinks by Gustavo Freitas

To save his life, a guy held hostage by the Russian mafia must find out who ordered the robbery of a 4 million dollar pair of cufflinks.


Shapiro: Geoff Mays
Ashley: Kyana Teresa
Narrator: Val Cole
Laura: Teira Watts
Jeff: Christian Vargas

Producer/Director: Matthew Toffolo

Festival Moderators: Kierston Drier, Shepsut Wilson
Casting Director: Sean Ballantyne
Editors: Kimberly Villarruel, Kyle Drier, John Johnson

Festival Directors: Mary Cox, Rachel Elder, Natasha Levy

Camera Operators: Hugh Fraser, Andy Camp, Aser Santos Jr., Zack Arch

THRILLER Best Scene Reading of The Playlists by Michael Kotsiros


A married couple are separately lured to a remote location by a gifted but troubled composer, who uses music to reveal his hidden agenda.


Rachel – Katelyn Varadi
Archibald – Geoff Mays
Narration – Norma Dawn Dunphy
Clara – Katelyn Varadi
Lewis – Omar Aufi
Reggie – Sean Ballantyne


Producer: Matthew Toffolo

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: Kimberly Villarruel

Camera Op: Mary Cox

THRILLER BEST SCENE Screenplay Reading – BEDLAM ON THE RAILS by Wayne E Johnson

Watch the Winning Best Scene Screenplay Reading for February 2017.

Winning Screenplay – BEDLAM ON THE RAILS
Written by Wayne E. Johnson


NARRATOR – Geoff Mays
LUMAN – Philip Krusto
DUKE – Casey Estey
PORTER – John Lester Phillips


Genre: Thriller, Crime, Action

Two armed, down-on-their-luck young hoods, a speeding streamliner, and a bad idea result in railway pandemonium not seen since the days of Butch Cassidy.

Get to know the writer:

What is your best scene screenplay about?

Bedlam on the Rails is the true story of the last two moving train robbers in America. In 1949, Luman Ramsdell, 23, and Duke Ashton, 20, made a snap decision to rob the B&O Ambassador, the streamliner taking them to Ohio from Florida.

What genres does your screenplay fall under?

True story, true crime

Why should this screenplay be made into a movie?

It is a unique, historical event. When asked, the average person and even historians will say that the last moving train robbery was performed by Butch Cassidy’s gang. Bedlam has two main characters that, even though they are on the wrong side of the law, the audience can relate to them. I would set the tone of this film somewhere between Butch Cassidy and the Sundance Kid and Bonnie and Clyde.

How would you describe this script in two words?

Bad idea

What movie have you seen the most times in your life?

Kelly’s Heroes

How long have you been working on this screenplay?

About a year ago I was contacted by Wilson Casey, the author of the book Bedlam on the West Virginia Rails, interested in the possibility of turning his book into a movie. I read his book and finished a draft in a couple of weeks. After sending it to a few producers, and making revisions, this final version was completed in November of 2016. I’d say I’ve worked on it for nine months.

How many stories have you written?

My novel, The Militarized Zone: What Did You Do in the Army, Grandpa? was published in November. Ive had eight or nine short stories published in print and online. In 2015, one of my screenplays won an award from Writer’s Digest. Others have been runners-up, semifinalists and quarter finalists in various screenwriting contests.

What motivated you to write this screenplay?

As I read the book, it seemed like a natural for the screen. It was an interesting story with colorful characters, and, for a true story, a good plot and resolution.

What obstacles did you face to finish this screenplay?

Along with his own research, author Wilson Casey interviewed Luman Ramsdell over a period of about three years and wrote his story in Luman’s words, which were great for the book. But in many instances the dialogue in conversations had to be modified to be acceptable for a screenplay. I’d say dialogue was the biggest challenge, since the events are written as they actually happened.

Apart from writing, what else are you passionate about?

I’m a member of a veteran’s group and help our older vets when we go on field trips. We’re bringing the Moving Vietnam Wall to our area later this year. I volunteer in art classes at our local elementary school and I donate to animal protection charities.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

You were open and willing to look at my material and your feedback was invaluable. I always wonder if my scripts hit the right points and by what you indicated in the feedback, I succeeded and I’m on the right track.

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Director/Producer: Matthew Toffolo
Casting Director: Sean Ballantyne
Editor: John Johnson

Watch the Winning Thriller 1st Scene Screenplay Reading of HELLCAT

Deadline November 5th: FIRST SCENE (first 10pgs) SCREENPLAY FESTIVAL Get it performed at the festival. Full feedback

1st Scene: HELLCAT by J. Alan Hostetter


“Hellcat” is about a Pennsylvania state police detective who investigates a blackmail plot as it is going awry, various leads connecting a mysterious woman who once partially castrated her rapist.


NARRATOR – Ryan Fisher
Guise – Geoff Mays
Sterner – Andy Bridge
Fries – Andrew Farr
Cat – Holly Sarchfield