1st Scene Reading of 20/20: SEARCH FOR INDEPENDENCE by Harold L Brown



NARRATOR – Sean Ballantyne
JEFF BEKK – Hugh Ritchie
DR. IVES – Julian Ford
FRANCOIS – Peter Nelson
CRAWFORD – Kheon Clarke
GRACE – Mallory Palmer
MADELEINE – Angelica Alejandro
KATLA – Kelci Stephenson


Genre: Thriller, Political Drama

An inventor with a plan that would replace oil must survive while forces in China, Canada and the United States vie for the technology.

What is your screenplay about?

The world is becoming a much more complex place. 20/20: Search for Independence is the story about Jeff Bekk, a young inventor who’s searching for his own validation by developing software to drive a project known as SEATech. Suddenly he’s left to finish the ICCCE invention started by his grandfather and search for the truth about his Icelandic grandfathers death.

Meanwhile, relying on Jeff’s SEATech software, China and Canada covertly prepare to eliminate oil sands greenhouse gas emissions undermining the future of major U.S. oil refineries and an unsuspecting U.S. government in the middle of a Presidential election.

As Jeff works on the SEATech project he “secretly” works on finishing the ICCCE prototype that can replace oil. His gambles to honour his grandfather put his grandfather’s legacy and ranch at risk. The deeper he gets, the more he realizes he must reassess who he can trust as he struggles to survive as global forces vying to steal “his” technology, guaranteeing their global energy dominance.

On a personal note, my grandparents are Scandinavian. I have always been fascinated by what countries with the climate changes they face, have, and continue to achieve. Maybe, colder air is better for the braincells.

What genres does your screenplay fall under?

20/20 is a techno thriller with strong political elements as major super powers fight for Jeff’s invention to achieve national security interests and energy dominance. Some have said it could be a political thriller.

Why should this screenplay be made into a movie?

This story is about the unintended consequences of well intended actions. We live in an increasing interconnected world where decisions or interests in an isolated desert are communicated as timely as decisions or demands on Wall Street. This is a world where you can push a button in a downtown village in Alberta that has catastrophic effects in Africa.

Jeff wants to see his grandfather’s invention realized and his obsession to realize his grandfather’s legacy nearly costs him his grandfather’s ranch. Worse yet, without a serious assessment, the invention in Alberta, could destroy an economy and a country half way around the globe.

How would you describe this script in two words?

Do Right. Be Selfless. Or in a few more words, do the right thing.

What movie have you seen the most times in your life?

Early on – The Firm; when I started to more seriously study story there was Casablanca, Schindler’s List, In the Heat of the Night, A Time to Kill, A Bronx Tale and Thunderheart. And, I have been lucky enough to meet Norman Jewison, one of the world’s greatest storyteller directors.

How long have you been working on this screenplay?

Total elapsed time, is more than a couple of years. It started as a germ of an idea and grew from there. Very few of my stories are short term ventures and they become deep stories of thought and reflection about me and the world I live in.

How many stories have you written?

I’ve lost count. I do know I have two techno thriller novels published, Deadly Invisible Enemies: Evil in the Air and Deadly Invisible Enemies: Hunt for Evil, and I’ve just finished the first draft of the third novel, Deadly Invisible Enemies: Evil Resurrection. I’ve also written a multi award winning miniseries, a web-digital series, two tv pilots including a project pitch/bible with 5 season and character arcs and at least eight award wining screenplays.

What motivated you to write this screenplay?

I wanted to explore the consequences a decision or special interest in one part of the world has on another part of the world. I landed on the idea of the impact an invention could have on the world. I wanted to move beyond a story that focus on one dimension, like the environment vs oil. As I already said, the world is increasingly interconnected. What is good for one region or group in a community or country may be catastrophic to another. In this story Jeff slowly begins to realize ICCCE is catastrophic—even destroying his girlfriend’s country. He realizes he cannot rely on anyone to figure out what to do—he must discover the facts, his truths and make a decision.

What obstacles did you face to finish this screenplay?

Unintended consequences is a tough thing to make personal and yet globally catastrophic. As for the subject matter of oil/energy markets, that is also a complex matter as others who have attempted it, such as Syriana have found out. People line up at the gas pumps and rage about the price of gas as they watch prices plummet half way around the world. It is a world of unintended consequences. Efforts to lower the price of gas, lead to an unexplained increase. That even made the story more compelling for me.

Apart from writing, what else are you passionate about?

I have an unquenchable thirst for knowledge and the study of the human condition. Why do people or countries do what they do? Why I react in a certain way to a situation? Often these worlds intersect at some point and the germ of a story is formed. That is what becomes my next potential quest or project. The journey of self discovery and a potential revelation I can share through a story.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I like writing. And I like writing thrillers. I would love to see one of my stories up on the big screen but hearing the story performed has also been a great experience for me and industry associates I work with. I have entered this festival several times and received feedback that has helped me improve the story I want to tell. I have also entered other competitions, like WILDSound many times, received incredible feedback that raised the quality of the story – to the point I garnered a professional reading of my racial drama screenplay titled “Hope is Not a Black and White Rainbow.”

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Matthew Toffolo: http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson


Winning THRILLER Short Screenplay – THE SON, THE FATHER by Lukas Hassel

Watch the October 2016 Winning Short Screenplay.

Written by Lukas Hass


Genre: Crime, Thriller, Horror

A ten year old’s birthday surprise has unexpected consequences far into his future.


NARRATOR – Hugh Ritchie
LUKE – Benjamin Camenzuli
FATHER – Paul Whitaker
MOTHER – Becky Shrimpton
SUSAN – Jane Smythe
GUARD – Percy Alexander Harris

Get to know the winning writer:

What is your screenplay about?

Theeatically, I explore the notion that the road to Hell is paved with good intentions.

– A young boy’s birthday sets in motion a series of events that will have dark consequences far into his adulthood.

What genres does your screenplay under?

Suspense, thriller, horror.

Why should this screenplay be made into a movie?

It is a fresh take on an old problem. A film with a strong drive and point of view.

How would you describe this script in two words?

Surprising. Horrific.

What movie have you seen the most times in your life?


How long have you been working on this screenplay?

From conception to finished project, about a year.

How many stories have you written?

5-6 feature screenplays, and 2 short screenplays (one of which was made into a successful sci fi short film, “Into the Dark”, winning many awards and screening in over 70 film festivals world wide.)

What motivated you to write this screenplay?

A bizarre personal story a friend told me over a coffee about his childhood. I took it and ran with that idea.

What obstacles did you face to finish this screenplay?


Apart from writing, what else are you passionate about?

I’m an actor (Blacklist, Blue Bloods, Limitless, The Black Room etc.- http://www.lukashassel.com) and a filmmaker (www.intothedarkmovie.com). I’m also passionate about injustice of any kind which is kind of a red thread through all my writing.

Any advice or tips you’d like to pass on to other writers?

Don’t write unless you have something to say. Figure out what makes you furious, what gets you fired up, and write to that.


Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Casting: Sean Ballantyne

Editing: John Johnson

Read NEW Thriller/Suspense Television Show Pitches:

Deadline to Submit your TV Screenplay to the Festival: http://www.wildsound.ca/tvscreenplaycontest.html
– Get Full Feedback on your story. Get screenplay performed at festival.

Read NEW Thriller/Suspense Television Show Pitches:

CLICK the links and read the loglines:

NIGHT WIND TO BAHIA, by Thomas Thorpe

LONDON UNDERGROUND, by Charlotte Taylor


SINS OF THE DAUGHTER, by Michael Atkinson

ORACLES, by JD Epstein

ATASCOSA COUNTY, by Mark A. Valdez

Read Today’s Thriller/Suspense TV SHOW Pitches:

Submit your Thriller/Suspense Screenplay to the Festival: https://thrillersuspensefestival.com/

Read Today’s Thriller/Suspense TV SHOW Pitches:

CLICK the links and read the loglines


PANACEA, by Brian Coughlan

ALPHA X, by Raymond Gross

Read NEW Thriller/Suspense TV PILOT Loglines:

Deadline : TV PILOT/SPEC Script Festival – Get FULL FEEDBACK. Get script performed by professional actors

Read NEW Thriller/Suspense TV PILOT Loglines: 

THE KNOT, by Alexander Spence

PAWNS, by Monti Issar

SERIAL, by Trevor Abekah

LOVE YOU TO DEATH, by Xavierie Mbangtang

GUILT, by Zara Mbangtang

WITHIN, by Henry Boyd and Burnell Bowie

CARNIVAL OF SOULS, by Jonathan Baltzly

Watch HANNIBAL TV Spec Screenplay Reading

Submit your Thriller/Suspense Screenplay to the Festival:https://thrillersuspensefestival.com/

HANNIBAL “Honesuki”, TV Script Reading
Written by Ibba Armancas
Read 10 Questions with the writer


Hannibal Lecter’s attempts to leave the country are thwarted when Jack Crawford pulls him into a politically charged case that leaves children robbed of their hands, tongues, and eyes. Meanwhile, successfully framed for Lecter’s murders, Will Graham negotiates how much of himself he’s willing to compromise in order to get back at the man that destroyed his life.


NARRATOR – Becky Shrimpton
WILL GRAHAM – John Tokatlidis
JACK CRAWFORD – Donovan Hardy
MASON VERGER – Tyson Vines
ALANA BLOOM – Kassandra Santos
BLANCHE – Amanda Mona Weise
BEVERLY – Denise Yuen



Director/Producer: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: John Johnson

Thriller Logline of the Day: RISE OF THE IRISHMAN, by Thomas Dunham

ACTORTitle: Rise of the Irishman

Written by: Thomas Dunham


Genre: Crime, Mob, Thriller

Logline: A young Irishman gets on the wrong side of the Italian mafia when he and his gang try to take over New York.


Interested in this logline, please email us at info@wildsound.ca and we’ll forward your email to the writer.

Have a logline? Submit your logline to the monthly logline contest.